Well, that depends on the type of story you are writing. The length of your tale will dictate the quantity of character information you’ll need to create them come to life. For simplicity sake, I’ve broken my personality sheet down into what I use for each type of writing. Your character sheets might vary.
Theme is implied, sometimes without the author’s knowing of it at the beginning; nonetheless, more seasoned writers typically work on their theme harder than any other part of the story as soon as they catch on to what it is they’re writing about.
Fiction with its very definition is unreal. After we see a novel we know that the narrative and the characters in it are merely a product of creativity of the writer. When we see a movie we are aware that the characters are only acting their parts essentially pretending to be somebody other than themselves. Still we are mentally affected by the twists and turns in the story. We laugh, weep with them, and also sense indignant towards the bad guys. The adorable hero or heroine may be despicable in actual life and the villain may be a perfect gentleman, but we identify them with the characters they’re portraying. In essence for this short period we ourselves get transported into the imaginary world of the writer. Strangely enough this happens also with the author at least to a number of them. He or she travels through the very same emotions while composing and possibly later as well. The above really only just starts to scratch the surface of what is offered concerning her response. What I have realized is it really just depends on your goals and needs as it relates to your particular situation. The most innocuous details can sometimes hold the most important keys as well as the greatest power. The best strategy is to try to imagine the effects each point could have on you. Here are a number of more equally important highlights on this important topic.
What I’d like to perform in this short essay is identify two quite different kinds of fiction and briefly discuss an instance of each. These aren’t genres but, rather, forms – general classifications in the event that you will.
Writing fiction is a bit like baking a cake. You need the right ingredients in the ideal quantities, or it’ll turn out awful. For fiction, you will need the right combination of plot, action, description and character growth to bring your story to life to your reader.
The reader is required to understand that the character clearly doesn’t understand that the field of Philosophy is broken down into several subdivisions; she signed up for a class in Mathematical Logic, a la Gottlob Frege, when what she wanted was a course in Ethics. But if the reader does not know this, or does not have the capacity to research it, then the whole passage will probably be hieroglyphics. This is what I mean by Fiction Enhanceable by Internet – the work becomes infinitely more interesting, understandable, enjoyable, and appreciable. You can always check different fiction stories for reference.
Fiction is an essential part of human life. Man has an inherent need for diversion to get away, even if for a few moments, from the humdrum of life. Story telling has been one of the first ways of accomplishing that and over the ages it has grown into the diverse forms of entertainment we’ve got in the present day world. Entertainment is basically of two types – passive and active. The busy entails physical participation in 1 way or other, while the passive does not. Fiction is basically a passive entertainment even though the mind has an important role in it. Fiction constantly involves visualization whether it’s covert or overt. The first form of overt visualization was that the enacting of dramas since the civilizations developed. The growth of technology brought in its contemporary forms – cinema and tv. The covert type is inherent to story telling and reading. It’s an inherent feature of the human (or maybe any) mind that a thought is always accompanied by an image. So when one reads or hears a story the mind visualizes the scene as well as the figures; this procedure continues throughout the narrative and frequently even after it has finished.
If it comes to superheroes, I like Spider-Man, BECAUSE he had doubts, and was insecure… so I linked to him the maximum. Not all people will have the specialized understanding to write something as earth-shattering as Jules Verne’s “20,000 Leagues Beneath the Sea” which many claim was that the real inspiration behind the first nuclear submarine. But what you’ve got is your life experiences.
A popular means to demonstrate a motif is through the actions of the protagonist and the antagonist, together with the antagonist revealing the dark side of the theme and the protagonist the optimistic side.
One additional approach to highlight the theme is through all the characters in a narrative, with each character representing an aspect of the motif, as in Godfather tales once the subject of power is presented with every character representing another aspect of power.
Theme is the reason fiction matters, because it’s the quality that provides the narrative a universal appeal. Some state theme is exactly what the story is about, but that is too ephemeral a definition, which may get confused with the idea or the storyline.
The first type is what I’ll call Fiction Enhanceable via Web, or FEBI for brief. The second is a Type of antithesis, the opposite – Fiction Not Enhanceable by Web, or Non FEBI. An example of the first is Tripmaster Monkey by Maxine Hong Kingston; of the second, Mohawk by Richard Russo. I would surmise, without really having any way of knowing, that there are almost unlimited examples of each kind, so consequently the examples that I choose here are fully random.